Even though I drive now, and have been for a while, the sound of various transit and traffic vehicles are still quite forefront in my experience and my urban sensibilities. After all, even when I walk on the street, I am affronted with the sounds of various cars and public transit vehicles. In celebration of finally upgrading my phone from a 4 to an iphone 5S, I have been on the lookout for various applications for ‘urban experiencing’ to play around with. I was hoping for a newer and improved version of RJDJ which would take advantage of the new Motion+ chip, but alas, there appears to be no money in that as RJDJ have closed doors and abandoned even hosting the scenes and recordings I used to be crazy about (see previous posts and this one too). I was dreaming about even more ‘reactive ambient experiencing’ from the company, but alas. They have focused on a niche of ‘intelligent’ delivery of music. Strange, I digress, but their model originally was always that – to deliver music in the urban soundscape, as a music label company. The reactive environmental sound pickup was actually just a smart gimmick – an add-on, to promote small music labels. Yet I’m sure I’m not the only one who got crazy about the concept and idea of picking up live sound and processing it in real-time. I didn’t really need any musical accompaniment?! I mean, it *sounds* like music, once you grab sounds around you and modify and filter them in, it’s magical, everything is animated, like your otherwise boring commute is telling you a story. Well. That was that. End of rant.
Below, are two videos of an app I have been experimenting with – Speaking Photo, and later, Picle. Both essentially allow you to snap photo + record sound. Both encourage you (seem to be geared towards) combining these tiny static videos into a ‘story’ or ‘slodeshow’. Picle is better looking but more crashy, and allows only up to 10 seconds of recording (perhaps tearing a page out of Vine’s book?). Speaking Photo is not the prettiest thing but it works and allows up to 25 secs or so of recording (taking after Instagram). I want to come clean right away – what I really wanted was Foundbite but sadly and I’m sure purposefully, it only comes for Windows Phone 8. Foundbite seems perfect – an all-in-one: location-based geo-tagged, you record sound while you take multiple pictures and the app puts it together for you in one nice, slick package – a little slideshow that gets tagged to a location on a giant (global?) soundmap. Oh well. The moral of the story is, there simply isn’t enough interest in audio-based or primarily audio-based applications for ambient, locational experience. I did dabble a bit into Digisocial, Dubbler and Hubbub, which besides the horrible off-putting names (who comes up with this seriously? why does a sound-based social network’s name have to sound like a fat bee buzzing around). But ultimately they all seem a bit silly. Dubbler allows you to change the pitch of your voice (or any sound) as you record so it’s trying to encourage a bit of experimentation, but mostly browsing around it, I’ve found people recording themselves signing, etc. Doesn’t really work as a social network. I mean, part of text-based platforms like the web (and yes, I know it has images) is the anonymity. Voice feels wayyyy too personal, far too revealing about ourselves. I just can’t see it working, and I really want to.
So once again, below is a slideshow of one of my first attempts at using Picle. It’s comprised of several typical downtown Vancouver spaces featuring….yes, the sounds of traffic. Especially when listened to on headphones, what is interesting is to hear the difference in sound levels and sound quality in the different times and conditions. That’s kind of what I like better about this approach to sound recording versus pure sound recording. The photo does provide the context I think, for fully appreciating the contrast between the different sound environments.
In this one here, while it’s just a continuation of my recordings in-transit, is interesting I think because it features richer details of the soundscapes inside different public transit vehicles. I especially like the second one because it is done in one of the skytrain cars from the old, original skytrain – the King George line. That line I find has a pronounced train-like sound, there is something about the construction of the wheels and cabin, how they travel over the rails that is very attractive and more pleasant for me. The newer lines sound very sterile inside, still loud, but somehow wooshy and ambient and hydraulic. Less like a train. The last bit in the video is actually me standing outside, in a bus loop while hearing the passing of skytrain cars overhead.