Posts Tagged: ‘skytrain’

RjDj Universe!

November 17, 2010 Posted by

Ok, I have discovered a whole new way of experiencing everyday listening….still through my iPhone. Will the possibilities never end????? (Steve Jobs, pay me now, for free promo, or gimme cheezburgr, ktnx). After downloading this app called RjDj a while back, and wondering what the heck it does, something made me go back to it again and discover a whole new world of experiences. Initially, I only tried out the few simple interactive modules like Can of Beats and Scrambler. I have to admit, one thing that stopped me, or rather, made me lose interest at the time was, these were super quiet. Like suuuuuuper quiet. And there were only a few. I know I’ve updated it several times but I never checked back to see what was updated. And then recently I went back to discover a ton of new content, with the “scenes” separated by themes and modes of interactivity. Albeit still glitchy, probably due to the fact that most of this is user-generated content (using their great Pd-based software!!!) it contains a number of quite sophisticated, cool sound modules. The ability to record these scenes has been amazing for me. It’s like new style composition! One type of scenes called Soundtrips is especially interesting, relative to my research (I am thinkging of including it as an activity in the next two user sessions) – it contains modules specifically designed to interact with, sample and re-mix the environment around. Once again, I remember thinking about this a long time ago, trying these out at home, without headphones – “but it’s quiet here??!? I want to create music not wait for a sound to trigger something!!!”. So I thought, if I have to put on headphones at home, forget it, and if it’s so quiet, how would I hear it outside in all the noise of the city.

But now, I take this baby on the road and just listen to it go. Amazing! It was a big mental shift for me to put on the earbuds and go out. I often opt not to listen to music on the go becuase everthing is too loud and i just don’t want to ruin my hearing by turning it up too high. So the shift was precisely that – listening to a Soundtrip scene IS both like listening to music and listening to the outside environment at the same time, so the fact that they blend only adds to the experience. The whole point is ambient listening and the integration of the outside environment into that ambient listening experience. In other words, I am no longer trying to separate my inner and outer worlds, but combine them. Michael Bull could have a field day with this, but I found it first yesss!

I’ll likely blog about this a few more times, and for now here’s a little taste from my RjDj universe, a series I think I’m going to call “Commuter Music”:

You need to have Flash installed to listen directly on the site. Install Flash or you can download the recording instead

CommuterMusic” by Pinkfluff

Drowning Street Recorded from Drowning Street. Check out more recordings from Drowning Street…

You need to have Flash installed to listen directly on the site. Install Flash or you can download the recording instead

CommuterMusic-1” by Pinkfluff

Echolon Recorded from Echolon. Check out more recordings from Echolon…

Aural Postcard – Blood Diamond Speech

August 22, 2010 Posted by

Not that I have so much to say, but this happened recently and it was too good not to document. I guess just as an aside note, the iPhone has really “revolutionized” this type of documenting for me. Usually, even though I have a high-quality recorder, I’d only take it on special occasions, go purposefully to record. The iPhone allows me to record on the spot, if something extraordinary or interesting happens. Anyways, what happened is I walked into the skytrain to go home. It was late, but not super late. At first I thought these two people were talking, but then I realized that everyone was pretending to ignore a tall skinny black guy who seemed to be talking to himself or recite something. I remember I was listening to Florence and the Machine on my headphones, and experiencing this, reflecting, at the same time, on how oddly interesting the combination is between the music and the emphatic recitations at hand. I can honestly say I still don’t know if this guy was preparing for an acting part, if he was a street poet, if he was moved by the issue but drunk, or just plain crazy. But I sadly wondered how many of the people sitting around me, trying to not look this guy in the eye, have any idea what Blood Diamonds are. (Not that I know so much but….c’mon, Hollywood took care of that). Sad, poignant issue. Below I have tried to recreate after the fact, the combination I was experiencing – F&M song and a recording from the skytrain with the ‘poet’ in it. Striking, I think.

Aural Postcard – Canada Line

March 10, 2010 Posted by

I originally started this recording going out to meet my mom on one of the busiest Olympics 2010 weekends. I see now that I have made the dB measurement the evening before – also a busy Olympic evening. Actually ever since the Canada Line was open I’ve been wanting to measure the sound levels there, because it seems excessively louder than the other underground skytrain lines. First, even the spatial acoustics for some reason sound boomier, bigger (as per Truax’s notion of ‘volume’) and more reverberant due to the lack of any damping material and the open mid-section architecture that allows sound to travel up, resonate and form standing waves (something which isn’t the case in Granville station or Waterfront, etc.).

Because of this space, the skytrain sounds quite ominous and noisy, more of its broadband spectrum contained and audible inside…as it arrives through the tunnels, it literally sounds quite a big bigger – like a commuter train on railroads pulling into a station. To add to this, the PA system announcing the trains and other information, when first installed was really too too loud – I heard informally that due to complaints Translink actually adjusted the volume down…It still sounds very loud and reverberant in large part to the issue described above – the spatial acoustics that allow it to reflect, resonate and reverberate in a bigger space.

The next recording I took inside the train, partially because I wanted to capture that moment of inside-outside acoustically (I have always been fascinated by it) and partially because I’ve always been struck by how loud the skytrain can sound on the inside, particularly when it picks up speed. It can be heard here again, increasing in intensity almost to painful levels, almost to a “jet pause” – where people no longer being able to compete with the engine noise have to seize their conversation temporarily. Then…arriving at the next station, it seizes to almost silence, then it all repeats again.